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1982³â Æ÷Å©·£µå(The Falklands)ÀüÀïÀº ¿µ±¹ÀÇ ½êó(Thatcher)Á¤ºÎ¸¦ ÀαâÀÖ´Â Á¤ºÎ·Î ¸¸µé¾ú°í ´Ù½Ã ÇÑ ¹ø Á¤±ÇÀ» Àâ´Âµ¥ ±â¿©ÇÏ¿´´Ù. ÀÌ ¶§¿¡ ¸ÂÃ߾ ƯÈ÷ ½êóÀÇ °æÁ¦ Á¤Ã¥¿¡ ´ëÇÑ Á¸°æ½ÉÀ» Ç¥½ÃÇÏ´Â ¶æ¿¡¼­ 1983³â 1¿ù {Ææ}(Fen)Àº ±ØÀå¿¡¼­ °ø¿¬µÇ¾ú´Ù. {ÃÖ»óÀÇ Á÷¾÷¿©¼ºµé}°ú °°Àº ¹®Á¦Á¡À» Á¦½ÃÇÏ°í ÀÖ´Â {Ææ}Àº dzºÎÇÏÁö ¾ÊÀº ¸»·»ÀÇ µþ ¾ØÁö(Angie)ÀÇ ½Ã°ñó·³ ¿µ±¹ÀÇ µ¿ÂÊ¿¡ À§Ä¡ÇÏ°í ÀÖ´Â ÆíÆíÇÑ ³Î¸® ÆÛÁ® ÀÖ´Â ¿Üµû·Î ¶³¾îÁ® ÀÖ´Â ´ËÀ̾ú´ø ¸¶À»À» ¹è°æÀ¸·Î ÇÏ°í ÀÖ´Ù. {Ææ}Àº 1970³â°æ ¿µ±¹¿¡¼­ ÀϾ´Â ÀÏÀ» ±×¸®°í ÀÖÀ¸¸ç 21°³ÀÇ °£´ÜÇÑ Àå¸éÀ¸·Î ÀÌ·ç¾îÁ® ÀÖ´Ù. ¿©±â¼­ ¿©ÀεéÀº ¾ï´­¸° »ýÈ°À» ¿µÀ§ÇÏ°í ÀÖ°í ±×µéÀ» °í¿ëÇÏ°í ÀÖ´Â ³óÀåÁÖÀε鿡 ÀÇÇؼ­ ±«·Î¿òÀ» ´çÇÏ°í ³ª³¯ÀÌ ¹Ýº¹µÇ¾îÁö´Â ÀÏ°ú Áý¾ÈÀÏ°ú ¾ÆÀ̵鿡 ÀÇÇؼ­ ¸Å¿© ÀÖ´Â »ýÈ°À» ÇØ ³ª°£´Ù. ³ëµ¿ÀÚ °èÃþÀÌ -- ƯÈ÷ ÀÌÀÛÇ°¿¡¼­ ÁÖ¸¦ ÀÌ·ç°í ÀÖ´Â °ÍÀº ¿©¼ºÀε¥ -- ´çÇÏ°í ÀÖ´Â ½ÅüÀûÀÎ ¾Ð¹Ú°ú Á¤½ÅÀûÀÎ °íÅëÀ» º¸ÀÌ°í ±×°ÍÀº ¿©ÀεéÀÌ ²÷ÀÓ¾øÀÌ ¹Ýº¹µÇ¾î ÇØ ¿Â ÈÆ·ÃÀÇ °á°úÀÎ ³ëµ¿À» ÅëÇÏ¿© º¸¿©ÁÖ°í ÀÖ´Ù. {Ææ}Àº ¿©¼ºÀÌ °Þ´Â ¹°ÁúÀûÀÎ ¶ÇÇÑ »çȸÀûÀÎ °íÅëÀ» ±×¸®¸ç ±×¿¡ µû¸¥ ±×µéÀÇ Àý¸ÁÀ»¡¦(»ý·«)
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Ææ(fen)Àº À̽ºÆ® ¿¨±Û¸®¾È(East Anglian)³ó°¡¿¡ ÁøÂ¥ Á¸ÀçÇÏ´Â ¸¶À»À̸§ÀÌ´Ù. º»·¡´Â ´ËÀ̾úÀ¸³ª 1630³â¿¡ ¹°À» »©°í ÇÏ¿© ºñ¿ÁÇÑ ¿µÅä·Î ¹Ù²Ù¾ú´Ù. °íÀ¯¸í»çÀ̹ǷΠ´Ë´ë½Å¿¡ {Ææ}À¸·Î ÀÛÇ°À̸§À» ¸í½ÃÇÑ´Ù.


Chamberlain, Mary. Fenwomen:A Portrait of Women in an English Village. London: Routledge, 1983.

Churchill, Caryl. Softcops & Fen. London: Methuen, 1986.

Churchill, Caryl. Interview with Geraldin Cousin. New Theatre Quarterly 4(13)(Feb. 1988)

Diamond Elin. `(In)visible Bodies in Churchill`s Theatre.` Theatre Journal 40(2)(May 1988): 188-204.

Fitzsimmons Linda, `I won`t turn back for you or anyone`: Caryl Churchill`s Socialist-Feminist Theatre.` EssaysinTheatre 6(1)(Nov. 1987): 19-29.

Keyssar Helen. Feminist Theatre:An Introduction to Plays of Contemporary British and American Women. London: MacMillan, 1984.

Kritzer Amelia Howe. Open-Ended Inquiries:ThePlays of Caryl Churchill. Unpublished dissertation. U. of Wis-Madison, 1988.

Robowbotham, Sheila. Women, Resistance and Revolution: AHistory of Women and Revolution in the Modern World. New York: Pantheon, 1972.


Caryl Churchill`s Fen: Surveillance,

Discipline, and Empowerement



Haiyoung Lee


Churchill has been writing plays about women since 1950. Her constant concern has been about women and their situations in the society both in the past and the present. She digs up the past to shed light on the present situations of women. In her plays, Churchill emphasizes the helping relationships amongst women. This theme, under the name of sicialist-feminism, has been explored through TopGirlsandCloudNine.

Fen written in 1983 centers on Fenland in east Anglian farm in England. In 1630 Fen has been turned into a dry and fertile land after the forceful draining of the area. In this land, women has been toiling in the field packing onions, sorting out stones, and digging potatoes. Their work has repeated itself till it is imbedded in as a daily part of the human activities. Both a field supervisor Tewson and a Japaness businessman represent as the embodiment of the conventional tradition and capitalism. Under the surveillance the women workers perform disciplined manual labor in the field even when it is icy cold.

Naturally Fenwomen--Val, Angela, Nell, and Shirley--despair at the situation; they long for an exit through romance, song and drink. They also resist against the oppression. In this respect, Nell becomes an advocate for other fellow workers by demanding their rightful due. Ivy also reminds them of the workers` collective movement of the past. Finally they attain the spiritual strength not to yield to the oppression, but to lead their own life independently. Though the newly gained strength is tenuous, it empowers Churchill`s stage with hope and light.



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