¢¸
  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (1 ÆäÀÌÁö)
    1

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (2 ÆäÀÌÁö)
    2

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (3 ÆäÀÌÁö)
    3

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (4 ÆäÀÌÁö)
    4

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (5 ÆäÀÌÁö)
    5

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (6 ÆäÀÌÁö)
    6

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (7 ÆäÀÌÁö)
    7

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (8 ÆäÀÌÁö)
    8

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (9 ÆäÀÌÁö)
    9

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (10 ÆäÀÌÁö)
    10

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (11 ÆäÀÌÁö)
    11

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (12 ÆäÀÌÁö)
    12

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (13 ÆäÀÌÁö)
    13

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (14 ÆäÀÌÁö)
    14

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (15 ÆäÀÌÁö)
    15


  • º» ¹®¼­ÀÇ
    ¹Ì¸®º¸±â´Â
    15 Pg ±îÁö¸¸
    °¡´ÉÇÕ´Ï´Ù.
¢º
Ŭ¸¯ : ´õ Å©°Ôº¸±â
  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (1 ÆäÀÌÁö)
    1

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (2 ÆäÀÌÁö)
    2

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (3 ÆäÀÌÁö)
    3

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (4 ÆäÀÌÁö)
    4

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (5 ÆäÀÌÁö)
    5

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (6 ÆäÀÌÁö)
    6

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (7 ÆäÀÌÁö)
    7

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (8 ÆäÀÌÁö)
    8

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (9 ÆäÀÌÁö)
    9

  • ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý   (10 ÆäÀÌÁö)
    10



  • º» ¹®¼­ÀÇ
    (Å« À̹ÌÁö)
    ¹Ì¸®º¸±â´Â
    10 Page ±îÁö¸¸
    °¡´ÉÇÕ´Ï´Ù.
´õºíŬ¸¯ : ´Ý±â
X ´Ý±â
µå·¡±× : Á¿ìÀ̵¿

½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý

·¹Æ÷Æ® > ÀÚ¿¬°úÇÐ ÀÎ ¼â ¹Ù·Î°¡±âÀúÀå
Áñ°Üã±â
Å°º¸µå¸¦ ´­·¯ÁÖ¼¼¿ä
( Ctrl + D )
¸µÅ©º¹»ç
¸µÅ©ÁÖ¼Ò°¡ º¹»ç µÇ¾ú½À´Ï´Ù.
¿øÇÏ´Â °÷¿¡ ºÙÇô³Ö±â Çϼ¼¿ä
( Ctrl + V )
¿ÜºÎ°øÀ¯
ÆÄÀÏ : ½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý.hwp   [Size : 69 Kbyte ]
ºÐ·®   28 Page
°¡°Ý  3,000 ¿ø

Ä«Ä«¿À ID·Î
´Ù¿î ¹Þ±â
±¸±Û ID·Î
´Ù¿î ¹Þ±â
ÆäÀ̽ººÏ ID·Î
´Ù¿î ¹Þ±â


ÀÚ·á¼³¸í
½ÅÈ­¿Í Çö½ÇÀÇ º¯Áõ¹ý¿¡ ´ëÇÑ ÀÚ·áÀÔ´Ï´Ù.
½ÅÈ­¿ÍÇö½ÇÀǺ¯Áõ¹ý
º»¹®/³»¿ë
Àª¸®¾ö ºí·¹ÀÌÅ©(William Blake, 1757-1827)ÀÇ ¿¹¾ð½Ã ¡º¹ÐÅÏ¡»(Milton)
ÀÇ ÅؽºÆ®´Â 1803³â ÀüÈÄ·Î ¾º¾îÁ³´Ù. ÀÌ ½Ã±â´Â ¹Ù·Î ¾Æ¹Ì¿¨ È­¾à(The Treaty of Amiens)ÀÌ ÆıâµÇ°í ¿µºÒÀüÀïÀÌ Àç¹ßÇÑ ½Ã±âÀÌ´Ù. ¾ÆºÎÅ°¸£ ÇØÀü(1798)ÀÇ ½Â¸®·Î ±¹Á¦Àû À§»óÀÌ ÃÖ°íÁ¶¿¡ ¿Ã¶ú´ø ¿µ±¹Àº Á¦2Â÷ ¹ÝºÒµ¿¸ÍÀ» °á¼ºÇÏ°í ³ª»Ê·¹¿ËÀ» ±ÃÁö¿¡ ¸ô¾Æ ³Ö¾ú¾ú´Ù. °á±¹ ³ª»Ê·¹¿ËÀº Àü¼ú»óÀÇ ÇÊ¿ä·Î 1802³â ¾Æ¹Ì¿¨ È­¾àÀ» ¸Î°Ô µÈ´Ù. ±×·¯³ª ÀÌ ÆòÈ­Á¶¾àÀº 1³â ³²Áþ¸¸¿¡ ±ú¾îÁú ¼ö¹Û¿¡ ¾ø¾ú´Ù. ³ª»Ê·¹¿ËÀÇ ÀÔÀå¿¡¼­´Â ±âº»ÀûÀ¸·Î ½Ã°£Àû ¿©À¯¸¦ ¾ò±â À§ÇÑ Àü¼úÀû Á¦¾ÈÀ̾ú°í, µÚÀÌÀº ±×ÀÇ ´ë·úÁ¤Ã¥À¸·Î ¹«¿ª·ÎÀÇ È®º¸¿¡ À§ÇùÀ» ¹ÞÀº ¿µ±¹µµ ÀüÀﺸ´Ù °ªºñ½Ñ ÆòÈ­¸¦ °¨³»ÇÒ ¼ö ¾ø¾ú±â ¶§¹®ÀÌ´Ù. 1803³â 5¿ù ¾ÖµùÅÏ(Henry Addington) ³»°¢ÀÇ ¿µ±¹ Á¤ºÎ´Â ÇÁ¶û½º¿¡ ÀüÀïÀ» ¼±Æ÷ÇÏ°í °­·ÂÇÑ º¸È£¹«¿ªÁ¤Ã¥À» ÆîÃÄ ³ª°£´Ù.
ÀüÀïÀÇ Àç¹ß¿¡ ´ëÇØ ºÐ³ëÇϸç, ÆòÈ­¸¦ ³»µ¿´óÀÌÄ£ Áö¹èÀÚµéÀÇ À§¼±À» °¡Àå Àû³ª¶óÇÏ°Ô ºñÆÇÇÏ´Â ºí·¹ÀÌÅ©ÀÇ ½Ã´Â ¡º³× Á¶¾Æµé¡»ÀÇ ¿©´ü¹ø° ¹ãÀÌ´Ù. ¿©±â¿¡¼­ ºí·¹ÀÌÅ©´Â °¡Â¥ÀÇ ½Å°ú À§¼±ÀÇ »çÁ¦, Æø¾ÐÀûÀÎ ¿Õ°ú Áö¹èÀÚ µîÀ» ´ëº¯ÇÏ´Â À¯¸®Áð(Urizen)ÀÌ ±×ÀÇ ¹«¸®µéÀ»¡¦(»ý·«)
Âü°í¹®Çå

Adams, Hazard. Blake and Yeats: The Contrary Vision. 1955; rpt., New York: Russel and Russel, 1968.
Altizer, T.J.J. The New Apocalypse: The Radical Christian Vision of William Blake. East Lansing: Michigan State Univ. Press, 1967.
Barker, Francis, et als., eds. 1789: Reading, Writing, Revolution: Proceedings of the Essex Conference on the Sociology of Literature. Colchester: Univ. of Essex Press, 1982.
Bentley, G.E. Jr. Blake Records. London: Oxford Univ. Press, 1969.
. Blake Studies: Essays on His Life and Work. London: Oxford Univ. Press, 1971.
Behrendt, Stephen C. The Moment of Explosion: Blake and the Illustration of Milton. Lincoln: The Univ. of Nebraska Press, 1983.
Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. London: Oxford Univ. Press, 1973.
. Blake¡¯s Apocalypse: A Study in Poetic Argument. 1963; rpt., Ithaca: Cornell Univ. Press, 1970.
Bracher, Mark. Being Form¡¯d: Thinking Through Blake¡¯s Milton. Barrytown: Clinamen Studies, 1985.
Brigg, Assa. The Age of Improvement, 1783-1867. London: Longman Group Ltd., 1979.
Bronowski, Jacob. William Blake, 1757-1827: A Man Without Mask. 1944; rpt., Harmondsworth: Penguin Books Ltd., 1954.
Cox, Stephen. Love & Logic: The Evolution of Blake¡¯s Thought. Ann Arbor: The Univ. of Michigan Press, 1992.
Curran, Stuart, et al., eds. Blake¡¯s Sublime Allegory: Essays on The Four Zoas, Milton, and Jerusalem. Madison: The Univ. of Wisconsin Press, 1973.
Damon, S. Foster. A Blake Dictionary: The Ideas and Symbols of William Blake. 1965; rpt., Boulder: Shambhala Publications, Inc., 1979.
Damrosch, Leopold, Jr. Symbol and Truth in Blake¡¯s Myth. Princeton: Princeton Univ. Press, 1980.
Erdman, David V. Blake: Prophet Against Empire. Princeton: Princeton Univ. Press, 1954.
, ed. Blake and His Bibles. West Cornwall: Locust Hill, 1990.
, et al., eds. Blake¡¯s Visionary Forms Dramatic. Princeton: Princeton Univ. Press, 1970.
Ferber, Michael. The Social Vision of William Blake. Princeton: Princeton Univ. Press, 1985.
Fox, Susan. Poetic Form in Blake¡¯s Milton. Princeton: Princeton Univ. Press, 1976.
Frye, Northrop. Fearful Symmetry: A Study of William Blake. 1947; rpt., Princeton: Princeton Univ. Press, 1969.
. A Study of English Romanticism. 1968; rpt., Chicago: The Univ. of Chicago Press, 1982.
Fuller, David. Blake¡¯s Heroic Argument. London: Croom Helm, 1988.
Gilchrist, Alexander. The Life of William Blake. 2 vols. New York: Phaeton Press, 1969.
Harrison, J. F. C. The Common People: A History from the Norman Conquest to the Present. London: Fontana Paperbacks, 1984.
Howard, John. Blake¡¯s Milton: A Study in the Selfhood. London: Associated Univ. Presses, 1976.
. Infernal Poetics: Poetic Structure in Blake¡¯s Lambeth Prophecies. Rutherford: Fairleigh Dickinson Univ. Press, 1984.
Keynes, Geoffrey. Blake Studies: Essays on His Life and Work. 2nd edn. Oxford: Oxford Univ. Press, 1971.
Mellor, Anne K. Blake¡¯s Human Form Divine. Berkeley: Univ. of California Press, 1974.
Miller, Dan, et als., eds. Critical Paths: Blake and the Argument of Method. Durham: Duke Univ. Press, 1987.
Mitchell, W.J.T. Blake¡¯s Composite Art: A Study of the Illuminated Poetry. Princeton: Princeton Univ. Press, 1978.
Nurmi, M. K. William Blake. 1975; rpt., Kent: The Kent State Univ. Press, 1976.
Otto, Peter. Constructive Vision and Visionary Deconstruction: Loss, Eternity and the Productions of Time in the Later Poetry of William Blake. Oxford: Oxford Univ. Press, 1991.
. ¡°Visionary Deconstruction: The Bard¡¯s Song in Blake¡¯s Milton.¡± Philological Quarterly, 66 (spring 1987), 207-30.
Paley, M.D. The Continuing City: William Blake¡¯s Jerusalem. Oxford: Oxford Univ. Press, 1983.
, et al., ed. William Blake: Essays in Honour of Sir Geoffrey Keynes. Oxford: The Clarendon Press, 1973.
Punter, David. Blake, Hegel and Dialectic. Amsterdam: Rodopi, 1982.
Schorer, Mark. William Blake: The Politics of Vision. Gloucester, Mass.: Peter Smith, 1975.
Tannenbaum, Leslie. Biblical Tradition in Blake¡¯s Early Prophecies: The Great Code of Art. Princeton: Princeton Univ. Press, 1982.
Thompson, E.P. The Making of the English Working Class. 1963; rpt., New York: Vintage Books, 1966.
. Witness Against the Beast: William Blake and the Moral Law. Cambridge: Cambridge Univ. Press, 1993.
³ë¸í½Ä. ¡ºÇÁ¶û½º Çõ¸í¿¡¼­ Æĸ®²Ä¹À±îÁö¡». ¼­¿ï: µµ¼­ÃâÆÇ ±îÄ¡, 1980.
¼­°­¸ñ. 「Àª¸®¾ö ºí·¹ÀÌÅ©ÀÇ ¿ª»ç ´Ù½Ã¾²±â: ¡º³× Á¶¾Æµé¡»±îÁöÀÇ ÇÑ Àбâ」. ¼­¿ï´ë ¹Ú»çÇÐÀ§³í¹®. 1995.
. 「ºí·¹ÀÌÅ©¿Í ÀÚº»ÁÖÀÇ ¹®¸í」. ¡º³ì»öÆò·Ð¡», 1997³â, 7-8¿ùÈ£, pp. 34-52.


ÀÚ·áÁ¤º¸
ID : bjos*****
Regist : 2014-01-28
Update : 2014-01-28
FileNo : 16148480

Àå¹Ù±¸´Ï

¿¬°ü°Ë»ö(#)
½ÅÈ­   Çö½Ç   º¯Áõ¹ý  


ȸ»ç¼Ò°³ | ÀÌ¿ë¾à°ü | °³ÀÎÁ¤º¸Ãë±Þ¹æħ | °í°´¼¾ÅÍ ¤Ó olle@olleSoft.co.kr
¿Ã·¹¼ÒÇÁÆ® | »ç¾÷ÀÚ : 408-04-51642 ¤Ó ±¤ÁÖ±¤¿ª½Ã ±¤»ê±¸ ¹«Áø´ë·Î 326-6, 201È£ | äÈñÁØ | Åë½Å : ±¤»ê0561È£
Copyright¨Ï ¿Ã·¹¼ÒÇÁÆ® All rights reserved | Tel.070-8744-9518
ÀÌ¿ë¾à°ü | °³ÀÎÁ¤º¸Ãë±Þ¹æħ ¤Ó °í°´¼¾ÅÍ ¤Ó olle@olleSoft.co.kr
¿Ã·¹¼ÒÇÁÆ® | »ç¾÷ÀÚ : 408-04-51642 | Tel.070-8744-9518